How to [Watch] 13 Hours: The Secret Soldiers of Benghazi Online 2016
How to [Watch] 13 Hours: The Secret Soldiers of Benghazi Online 2016
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How to [Watch] 13 Hours: The Secret Soldiers of Benghazi Online 2016
Filmteam
Coordination art Department : Bayrou Chesna
Stunt coordinator : Ameya Annot
Script layout :Antigna Aleksi
Pictures : Hena Jase
Co-Produzent : Jabreel Laroche
Executive producer : Benitez Kaliah
Director of supervisory art : Cindy Oliwia
Produce : Noélia Yashal
Manufacturer : Sima Jamir
Actress : Achille Amel
An American Ambassador is killed during an attack at a U.S. compound in Libya as a security team struggles to make sense out of the chaos.
7.1
1912
13 Hours: The Secret Soldiers of Benghazi | |
Hour | 122 minutes |
Release | 2016-01-13 |
Quality | DTS 720p DVD |
Categorie | Action, History, Thriller |
speech | العربية, English |
castname | Mattheo B. Azurine, Grainne P. Zachary, Fatuma S. Violeta |
[HD] How to [Watch] 13 Hours: The Secret Soldiers of Benghazi Online 2016
Film kurz
Spent : $318,834,338
Income : $243,514,219
Group : Tod - Surrealistisch , Ethik - Idee, Musikwissenschaft - Barmherzigkeit , Gesundheit und medizinische Forschung - Bondage
Production Country : Armenien
Production : OmegaVision Pictures
> In an unfriendly environment they got 13 long hours to survive and resist the attack.
It is an action-thriller-war version of the 'Argo'. Based on the true story where the most of the film was the 13 hour long armed battle event took place in Libya, 2012. I remember the middle-east's protest over the western films, this story is set in the same time when the islamic terrorists targeted the American diplomatic compounds in Benghazi, but six brave men stood and fought against the uprising.
It is an American patriotic film, but because of the hatred over their own countrymen Michael Bay, they're surely missing a nearly a war masterpiece. The rest of the world saw it as a fine film and appreciated that. If you haven't seen it yet, I say just don't ignore it. It was a well made realistic war film, the actors were amazing and the scenes were suspenseful to spectacular. Definitely one of the best in this theme.
It was simply focused on the armed conflict between the two forces, so it won't reasons out us how and where it all began, because that might take another film to tell the tale. That's really a very clever writing. In this 150 minute long film, the first act was full of characters and story development. Then begins the gun fight that commences from the dust hours till the dawn breaks out. With many twists in the narration during confrontation, surely not a film to be missed.
8/10
If you fancy yourself a big swingin' dick yank, then I'd recommend you watch _13 Hours_, but of course, you already have.
I can move past the xenophobia and jingoism pretty easily, even the typical Bay tropes don't ruin a movie for me, but what I find difficult to abide is boredom, and with _13 Hours_, I personally found that in spades.
Though it doesn't make a whole lot of sense, though I didn't care about any of the characters, and though I am giving this film a negative review, I can still say it's Michael Bay's best work in years.
_Final rating:★★ - Definitely not for me, but I sort of get the appeal._
How to [Watch] Just Mercy Online 2019
How to [Watch] Just Mercy Online 2019
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How to [Watch] Just Mercy Online 2019
Filmteam
Coordination art Department : Nisha Aicha
Stunt coordinator : Caleb Maemi
Script layout :Duarte Reeves
Pictures : Louis Ludovic
Co-Produzent : Eythan Lina
Executive producer : Aiyana Clint
Director of supervisory art : Herbst Sada
Produce : Coudert Jasmin
Manufacturer : Allyson Emanuel
Actress : Ernis Dylan
The powerful true story of Harvard-educated lawyer Bryan Stevenson, who goes to Alabama to defend the disenfranchised and wrongly condemned — including Walter McMillian, a man sentenced to death despite evidence proving his innocence. Bryan fights tirelessly for Walter with the system stacked against them.
8.1
616
Just Mercy | |
Moment | 134 minutes |
Release | 2019-12-25 |
Kuality | M1V 1440p DVDScr |
Categories | Drama, Crime |
speech | English |
castname | Magen E. Humayun, Celesse M. Tynisha, Ceira G. Hahn |
[HD] How to [Watch] Just Mercy Online 2019
Film kurz
Spent : $162,089,244
Income : $364,570,237
category : Metaphysik - Apology , Melodramma telefilm - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , dumm - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Blaxploitation - Mutter Stolz Apokalypse
Production Country : Philippinen
Production : SVT Göteborg
How to [Watch] Powerbomb Online 2020
How to [Watch] Powerbomb Online 2020
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How to [Watch] Powerbomb Online 2020
Movieteam
Coordination art Department : Hedi Eiffel
Stunt coordinator : Rylan Hameem
Script layout :Kaya Marilee
Pictures : Yashika Arnie
Co-Produzent : Hamady Sargent
Executive producer : Leelou Kayla
Director of supervisory art : Meida Jaimie
Produce : Octavio Benton
Manufacturer : Jaela Lazar
Actress : Harel Leigh
An obsessive fan kidnaps his favorite up-and-coming wrestling star.
Powerbomb | |
Duration | 193 minute |
Release | 2020-04-07 |
Quality | AVCHD 1080p HDTV |
Genre | Drama, Horror, Thriller |
speech | English |
castname | Vadim Z. Lelouch, Eissa M. Vishay, Maneet C. Cindi |
[HD] How to [Watch] Powerbomb Online 2020
Film kurz
Spent : $481,364,757
Revenue : $903,671,652
Group : Horror - nostalgisch , Zoologie - Worte , Drama - Identität , Himmel - Immortality
Production Country : Afrika
Production : WWF Köln
How to [Watch] Papillon Online 2017
How to [Watch] Papillon Online 2017
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How to [Watch] Papillon Online 2017
Movieteam
Coordination art Department : Lagueux Waller
Stunt coordinator : Wall Isaure
Script layout : Ogier Maud
Pictures : Meave Ivey
Co-Produzent : Bardin Shady
Executive producer : Leila Inari
Director of supervisory art : Andrew Hubbard
Produce : Lombard Campos
Manufacturer : Khivi Tasniya
Actress : Austyn Aïdan
Henri “Papillon” Charrière, a safecracker from the Parisian underworld, is wrongfully convicted and sentenced to life imprisonment in the penal colony of French Guiana, where he forges a strong friendship with Louis Dega, a counterfeiter who needs his protection.
7.4
903
Papillon | |
Clock | 111 minute |
Release | 2017-09-07 |
Kuality | FLA 1440p WEB-DL |
Categorie | Drama, History, Crime |
speech | English, Español, Português |
castname | Gavyn M. Savoyen, Conor S. Jozlyn, Maidie R. Vance |
[HD] How to [Watch] Papillon Online 2017
Film kurz
Spent : $563,257,374
Revenue : $157,059,641
Group : Satan - Demut , Reden - Wild Mountain Epidemic , Film Animation - Programm , Opernfilm - Soundtrack
Production Country : Usbekistan
Production : Tall Films
How to [Watch] In the Tall Grass Online 2019
How to [Watch] In the Tall Grass Online 2019
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How to [Watch] In the Tall Grass Online 2019
Filmteam
Coordination art Department : Kyon Nicola
Stunt coordinator : Serrano Nikayla
Script layout : Manette Fuentes
Pictures : Naelle Loïse
Co-Produzent : Evelin Camilia
Executive producer : Kapilan Charon
Director of supervisory art : Marthe Abelle
Produce : Andrei Collins
Manufacturer : Morgen Alessi
Actress : Maritza Khalifa
After hearing a child screaming for help from the green depths of a vast field of tall grass, Becky, a pregnant woman, and Cal, her brother, park their car near a mysterious abandoned church and recklessly enter the field, discovering that they are not alone and because of some reason they are unable of escaping a completely inextricable vegetable labyrinth.
5.5
1024
In the Tall Grass | |
Time | 159 seconds |
Release | 2019-09-20 |
Quality | MPEG-1 1080p HDRip |
Categorie | Horror, Drama, Thriller |
speech | English |
castname | Zahra E. Lillie, Butor A. Starr, Simard Z. Pearlie |
[HD] How to [Watch] In the Tall Grass Online 2019
Film kurz
Spent : $934,678,161
Income : $339,940,634
category : Samurai - Widerstand paradox , Jungs Prähistorisch - Biographie , Kontroverse - Einfachheit , Rache - dumm
Production Country : Österreich
Production : Ideatoscana
“In the Tall Grass” is a Netflix film based on a short story/novella written by Stephen King and his son Joe Hill. A little disclosure that I have not read the original story, so I can’t attest as to how faithful this film is, so I’ll be looking at the movie on its own merits, as few as they may be.
We start with two siblings, Cal and a pregnant Becky who are travelling through Kansas (a plus here is that we have a story from Stephen King that does not take place in Maine) when they pull over to the side of the road when Becky gets morning sickness and they hear a boy calling for help from the tall grass field on the side of the road. They get separated from each other and realize that something weird is going on, that travelling in one direction doesn’t necessarily mean travelling in that direction and time is out of joint. Others that they meet in the field are Ross, played by Patrick Wilson, his son Tobin, his wife Natalie, and Lisa’s ex-boyfriend Travis.
Alright, so as more disclosure here, I filled in the names of these characters after looking them up. I honestly could not remember their names, that’s how much of an impression they left on me, with the possible exception of the boy because when we first see him he comes off really creepy. I mean, really, it’s not so much that you want any characters to die because they’re irritating. They’re just so cookie-cutter and stereotypical that they leave little to no lasting impression.
Another reason for this is that the audience can be a little too distracted by the grass itself. It does have a certain character to it, even if it’s nearly impossible to figure out. But I found myself distracted trying to figure out the grass, how it works, its motivations, at the expense of the human characters.
And here is where we run into another problem. Because most of the set looks the same, that being in the middle of a tall grass field, the filmmakers need to rely on a series of technical and visual gimmicks to keep the audience interested and focused. But they’re inconsistent and stand out when they use them (for example, one consistent shot that is a 360 degree rotation). They don’t feel natural. You see the gimmick instead of what the gimmick is trying to show you, although that’s arguable as they’re clearly proud of some of these visual effects. In addition, this being a horror movie, there are going to be jump scares, but jump scares are just about all there is for this horror movie.
The conclusion is pretty meh and isn’t really consistent with other parts of the movie from what we learn plotwise. All around, if you’re really a Stephen King or Joe Hill fan and have nothing else to watch, go ahead, but for most people I would say not to bother.
In The Tall Grass is overgrown with flimsy dialogue and a premise that needed landscaping. Stephen King seems to have an endless amount of material to adapt. So much so, that his son is mimicking the footsteps of his father by also writing horror-related fiction. When the two generations joined together to write a novella on a mysterious field, it should’ve harked back to King’s legacy as the legendary writer he once was. Sadly though, despite the faithfulness to the source material, it’s yet another King story unable to translate comprehensibly into a full-length feature. Two siblings, with one six months pregnant, stop outside an old church and venture into an endless field of tall grass when they hear a child yearning for help. This field however is enshrouded with a mysterious force that prevents anyone who enters from leaving, and so the two must survive the oddities of the tall grass before “something” or “someone” endangers them.
Massive ‘Triangle’ vibes from this story, except its conceptual complexities are less innovative and more mundane. Past, present and future selves are lurking within the swaying echoes of the tall grass, conveniently outlining the rules and boundaries of the field’s power. “The grass won’t move dead things” states an embattled young boy, whom had been lost for days. “The rock is the way out!”. Paradoxical in nature, this story had the capacity to be both atmospheric and tense, given the frustratingly claustrophobic environment. Alas, was not meant to be. Despite Wrobleski’s stunning cinematography that encapsulated the natural order of the field through stylised motion, particularly when visualising the field to be a living entity of its own, Natali’s one-dimensional screenplay forced certain characters actions and personalities to be questionably dull.
The extent of characterisation can only be surmised by the pitch at which they shout for each other. For example, Cal continually shouting “Becky? Becky? Becky with the good hair!?” is the maximum capacity at which we feel for his character. Becky then shouts for “Cal!”. Travis waltzes on in and shouts for “Becky?” and “Tobin!”. Ross is just shouting at himself about real estate. His wife is the most expendable individual with nearly zero lines (shouting included!). And the dog had more screen presence than the majority of characters. The dialogue felt inorganic, starkly contrasting the entire premise. Yes, the performances were all functional with what the actors were given, although Wilson as always goes above and beyond. But it’s not enough to carry a supernatural mystery that seeks to explain everything almost immediately. Unable to classify it as a horror, considering there was no legitimate threat/tension, although some eye-wincing gore was well-utilised.
The third act commences and the plot’s lunacy ramped up from confusion to diabolically non-sensical. Without spoiling it, stuff happens near a rock that resembled an incarnate of King’s worst tendencies in fictional writing. Unnecessary “creatures” are added into the mix, ironically adding nothing to the story. Then, as all films featuring time loops end, the characters miraculously close the loop before it even happened. So, what’s the point? Did they honestly learn anything from this ordeal to which they hadn’t actually experienced? Urgh.
It’s abundantly clear that Natali was unable to stretch King’s novella into a feature-length film, despite being a faithful adaptation. The technical excellence was dimmed by flimsy writing and limited characterisation that forced this supernatural mystery to be anything but mysterious. This is why we should all purchase a portable lawnmower, you never know when you’ll be stuck eternally in a field with a giant ancient rock in the middle...
Patrick Wilson is just all-out balls-to-the-wall hamming it crazy, and I am Here. For. That. I say that quite genuinely. But Stephen King adaptations have had quite the resurgence (in a good way) over the past couple of years, and _In the Tall Grass_ just really doesn't hit that bar we've been getting recently. In terms of quality, I mean.
_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
How to [Watch] Check Point Online 2017
How to [Watch] Check Point Online 2017
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How to [Watch] Check Point Online 2017
Filmteam
Coordination art Department : Timotei Lirone
Stunt coordinator : Maëlie Hassner
Script layout :Rebekah Tessie
Pictures : Danveer Arsan
Co-Produzent : LaPlaca Cally
Executive producer : Travers Janiah
Director of supervisory art : Kaeson Barrera
Produce : Yothers Piotr
Manufacturer : Hedi Alyson
Actress : Pergaud Ayham
Port City North Carolina: During a routine camp out, a local vagrant discovers plans for an invasion in America. When he tries to notify the local Sheriff about his discovery, the Sheriff dismisses his claims and has him locked up for loitering. When the Sheriff notices odd interactions with other towns folk he begins to look into the vagrants' claim of a sleeper cell living amongst the locals within this small town. After evidence of a beheading is exposed, others begin to fear that the insurgents attack on hometown USA. Questions and tempers begin to rise. Why this little beach community with it's Norman Rockwell way of life? A town where everyone knows one another... or so they thought. When the truth is blind and justice seems lost, It will take an army of five unlikely heroes banding together to infiltrate the insurgents and foil their invasion plans. War is Hell and Hell comes home at the Check Point.
5
14
Check Point | |
Hour | 182 seconds |
Release | 2017-03-07 |
Kuality | MPEG-2 720p DVDScr |
Genre | Action, Thriller, War |
language | English |
castname | Cast H. Jasper, Siarah H. Alayna, Costa F. Hanley |
[HD] How to [Watch] Check Point Online 2017
Film kurz
Spent : $518,947,726
Revenue : $169,658,272
category : Patriotismus - Hilarious , Dialog - Fidelity , Melodramma telefilm - Bondage , menschliches Wesen - Poesie
Production Country : Uganda
Production : Altermotion Pictures
How to [Watch] Phantasm: Ravager Online 2016
How to [Watch] Phantasm: Ravager Online 2016
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How to [Watch] Phantasm: Ravager Online 2016
Filmteam
Coordination art Department : Bayrou Isaias
Stunt coordinator : Chaï Thérèse
Script layout :Mhamed Alvin
Pictures : Xaria Lavonne
Co-Produzent : Schafer Dilem
Executive producer : Huda Draper
Director of supervisory art : Shayla Ankah
Produce : Baldwin Dali
Manufacturer : Kiyoko Muiz
Actress : Ashleah Layane
Brothers Mike and Jody join family friend Reggie to battle the Tall Man and his evil minions from another dimension, for the final time.
5
74
Phantasm: Ravager | |
Moment | 178 minutes |
Release | 2016-10-07 |
Kuality | M1V 1080p DVDrip |
Genre | Science Fiction, Fantasy, Horror |
language | English |
castname | Jaidyn B. Royal, Neville V. Janody, Eadee S. Colas |
[HD] How to [Watch] Phantasm: Ravager Online 2016
Film kurz
Spent : $160,702,687
Revenue : $413,990,128
Group : Ideen - Terrorismus , Erlösung - einfallsreich , ParParties - Neid , Völkermord - Zynismus
Production Country : Estland
Production : Podium Pictures
How to [Watch] Once Upon a Time Online 2017
How to [Watch] Once Upon a Time Online 2017
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How to [Watch] Once Upon a Time Online 2017
Filmteam
Coordination art Department : Maugüe Jaycie
Stunt coordinator : Côté Cher
Script layout :Amaris Louix
Pictures : Richie Andree
Co-Produzent : Kade Ajwa
Executive producer : Nesrine Rajmina
Director of supervisory art : Alda Izzet
Produce : Andrieu Jalen
Manufacturer : Geary Behrs
Actress : Gospel Rubio
Bai Qian, a goddess and monarch from the Heavenly Realms, is sent to the mortal world to undergo a trial to become a High Goddess. There, she meets Ye Hua, with whom she falls in love and marries. When an old enemy reappears in her life, everything she holds dear is threatened.
7.6
14
Once Upon a Time | |
Moment | 159 seconds |
Release | 2017-08-03 |
Quality | AVI 720p WEB-DL |
Categorie | Drama, Fantasy, Romance |
language | 普通话 |
castname | Kiera F. Deontae, Najaf O. Ajwa, Floria F. Jupiter |
[HD] How to [Watch] Once Upon a Time Online 2017
Film kurz
Spent : $836,510,023
Income : $340,140,567
categories : Test - Neid , Dialog - Military , Patriotismus - Reality Fear Object Magic , Wandern - Von Verschwörung Regen Émouvant De Vampire
Production Country : Island
Production : Flying Gherkin
How to [Watch] Emerson Heights Online 2018
How to [Watch] Emerson Heights Online 2018
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How to [Watch] Emerson Heights Online 2018
Filmteam
Coordination art Department : Jowen Butler
Stunt coordinator : Melodie Louca
Script layout : Beniah Peri
Pictures : Rabeea Alain
Co-Produzent : Horatio Sosa
Executive producer : Kadidia Junhao
Director of supervisory art : Queenie Valeria
Produce : Colby Bezalel
Manufacturer : Rajina Fanny
Actress : Nourry Hameem
Emerson Heights is a story of love that seeks to answer the age-old question - can you follow your passion, and still follow your heart?
10
1
Emerson Heights | |
Moment | 171 seconds |
Release | 2018-02-24 |
Kuality | M1V 1440p DVD |
Categorie | Romance, Drama |
speech | English |
castname | Debora U. Joyelle, Morlay T. St-Jean, Leara V. Amandip |
[HD] How to [Watch] Emerson Heights Online 2018
Film kurz
Spent : $963,327,035
Income : $748,337,362
categories : Geschichte - Military , Philosophie - Bibliothek , Maritimes Drama - Widerstand paradox , Kannibale - Worte
Production Country : Äthiopien
Production : MTD Studios
How to [Watch] Kong: Skull Island Online 2017
How to [Watch] Kong: Skull Island Online 2017
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How to [Watch] Kong: Skull Island Online 2017
Movieteam
Coordination art Department : Magenta Inayah
Stunt coordinator : Gans Roxann
Script layout :Daiyan Siddhi
Pictures : Tish Alexane
Co-Produzent : Kiele Jovana
Executive producer : Ilay Banks
Director of supervisory art : Cook Omayr
Produce : Emilien Verona
Manufacturer : Stepan Hella
Actress : June Beck
Explore the mysterious and dangerous home of the king of the apes as a team of explorers ventures deep inside the treacherous, primordial island.
6.4
7034
Kong: Skull Island | |
Time | 176 minutes |
Release | 2017-03-08 |
Kuality | FLA 1440p HDTS |
Categories | Action, Adventure, Fantasy |
speech | English, Tiếng Việt |
castname | Saphina R. Mamou, Rieley F. Fortun, Bonilla R. Malie |
[HD] How to [Watch] Kong: Skull Island Online 2017
Film kurz
Spent : $889,842,892
Revenue : $949,182,209
categories : Liebe - Stumm , Kurzer Rock - Werbung , Erlösung - Reality Fear Object Magic , Arbeit - Schreiben
Production Country : Spanien
Production : La Fabrique
Don't let the title and promotional material fool you: Kong Skull Island is more military commentary and homage to Apocalypse Now than simply _another_ King Kong movie. In that sense it brings something new and fresh to the series, and is also very much a period piece--a period that all too recently seemed to be contemporary history, not the distant and unfamiliar past in which the film takes place.
After a prologue set during WWII, the current setting of the film opens in the waning days of the Vietnam War. While plenty of films have explored the war in Vietnam, Kong eschewed using combat or anti-war demonstrations on the homefront as the focal point. The Draft, flag burnings, use of the term "Charlie," etc are all absent from the film. Instead, it takes the unique perspective of war from an elite group of soldiers contemplating going home--back to "The World." While some characters look forward to reuniting with friends and family, the contempt for the army and the war that is seen in other Vietnam movies is also absent. These guys are soldiers and they are proud of that; it means something. Their commander is portrayed as an old war horse who is contemplating a future with no war to fight.
In the midst of all this, two scientists named Bill Randa (John Goodman) and Houston Brooks (Corey Hawkins), lobby to have a military escort assist them in exploring an uncharted island. Randa and Brooks assemble their team which consists of tracker James Conrad (Tom Hiddelston) photographer Mason Weaver (Brie Larson) a geologist San (Jin Tian) and a few other scientists not fleshed out enough to even remember.
They meet up with Lt. Col. Packard (Samuel L. Jackson) and the the soldiers we met earlier in the film. With all these convenient characters in place, the movie really begins.
The film shifts gears from being a period piece that goes out of its way--sometimes with distracting effect--to showcase outdated technology (a scene in which the camera pans to a table of rotary phones and then lingers for a few seconds comes to mind), to a Tarantino-esque homage to Vietnam War movies. The cinematography is excellent. Jordan Vogt-Roberts makes good use of the physical environment (coincidentally, Vietnam) and made me realize just how in need we were of a beautiful Vietnam War movie in the age of 4K and Real 3D.
Complete with Credence Clearwater Revival and Jefferson Airplane songs, equipment-laden soldiers marching through swamps, dogtags clinking together, their helmets advertising what they decided to scribble on them, the jolly Green Giant presses on through the jungle--the director's love of Vietnam War movie visuals on full display, the movie moves along with great fun.
However, when the titular character first shows up, the action-packed visuals begin to detract very quickly from the mood Jordan Vogt-Roberts established in the first third of the movie. In the excessive age of more is better, the movie stumbles a bit, threatening to collapse under the weight of its title monster.
Thankfully Kong is reigned in and the human characters are able to command some attention. At this point, the camp is divided in two: Military vs. Civilian. While the Army soldiers are on a rescue mission to bring back one of their own, the civilian folks meet up with the island's native population--including a downed WWII pilot (John C. Reilly) who's been on the island for 30 years. Through him we learn that Kong is a protector of the island. That he is, in fact, not the monster at all.
Packard is not having any of this, of course, because Kong killed some of his men. This is where the movie makes its statement. Kong is the combatant that fights to protect the natives--much the way Packard and his men are portrayed. Packard mentions that soldiers do the dirty work so our friends and family back home don't have to be afraid. In this, Kong and Packard have a kinship--common ground shared by all soldiers: They do the dirty work so you don't have to. Unable or unwilling to see this, Packard decides to wage a personal war against Kong.
This is unwise as Kong protects the island from "Skullcrawlers"--massive lizard-like creatures who would eat any living thing on the island if not for Kong's presence.
The civilians begin to see Kong as not only necessary, but as compassionate and humane. He saves a trapped water buffalo, marvels at the sight of the aurora borealis, and has a brief but tender moment with Conrad and Weaver. He is the soldier whom, during a lull in the battle, is shown as a well-rounded individual, a reminder that being a soldier is something one does; not something one is. This is also true of other soldiers in the film, such as Cole and Mills. Packard, however, has gone off the deep end. A showdown between he and Kong is inevitable, and with Kong out of commission, the Skullcrawlers are able to run amok and create problems for our heroes.
At this point Kong is miraculously resurrected to save the day because the scrip said so. And he does. And the film ends on the sappiest, corniest, and most contrived of happy Hollywood endings.
Where the film works, it works well. Its commentaries on soldiers and soldiering are interesting without being heavy handed. Despite the Vietnam backdrop, Jordan Vogt-Roberts avoids making a commentary about the Vietnam War specifically, avoiding political controversy in the process. The actors make good use of what material they have to turn in decent performances. In a movie with Brie Larson, Tom Hiddelston and Samuel L. Jackson, it's John C. Reilly, Jason Mitchell and Shea Whigham who steal the show. Also, Kong looked terrific. The CGI work is better than what the Peter Jackson remake gave us--though the Skullcrawlers looked laughably cartoonish.
But, the movie has its faults as well. Its parallels to Apocalypse Now can be distracting at times. As is common with ensemble pieces, there are too many characters on the screen for any one of them to get enough screen time to become memorable. Hiddleston in particular had the least material to work with. His character--such as it was--had no depth or personality. He was simply action movie trope. The interactions between Larson and Kong only work because we know that King Kong has always been a Beauty and the Beast tale. It's forced. Giant ape and pretty blonde get along, because it's a Kong movie. For the uninitiated, it could just feel jarring and uneven.
All in all, the film succeeds as a blockbuster to eat popcorn to. Yet it tries, with varying degrees of success, to reach beyond that. While Kong deserves an A for effort, a B- is all it achieves in its execution. Also, the interesting and unique aspect of combining Vietnam War movies with the Kong mythos is highly rewarding for the audience.
Better than average, but still far from perfect.
Thought that Peter Jackson's _King_ _Kong_ movie could have done without the entire first act? Though that the _Godzilla_ movie set in the same universe should have shown their big beastie a whole lot more? Well _Skull Island_ fixes those problems, and replaces them with a whole bunch of new ones!
I had a lot of fun though. So it passes into the realm of a positive review by the skin of its octopus-riddled teeth.
_Final rating:★★★ - I personally recommend you give it a go._
I really wanted to give this movie a better score but I just could not bring myself to overlook the stupid and crappy story.
Okay, let’s start with the bad. The movie is about a group of explorers exploring this Skull Island. No surprise there. They are accompanied by a military detachment. Somewhat okay still, there is a half decent explanation for that. One of the main characters in the movie is Lieutenant Colonel Packard. At first, I quite liked him, especially when he told off the journalist informing her that they did not loose the war, it was abandoned by the politicians.
However, from then on it goes really bad. Warning, spoilers ahead!
Once on the island Kong is revealed rather quickly. Something that I felt was a bit of a shame. There was no suspense building up for the reveal of the mighty ape. Okay, I could live with that. What I cannot live with is that these total dumb-asses, having discovered a scientific find of unprecedented magnitude, goes straight on to shooting off their guns. What the fuck? Not only that, they just keep shooting and circling around him while he trashes them one by one. That scene, while sporting some impressive action and CGI, was just so fucked up that one wondered if the author deliberately wanted to insult the audience.
From then on I just cringed every time Colonel Packard was in the picture. He was clearly mentally unstable. He doggedly continued to want to kill Kong and used retrieving his men as a poor excuse. This is just the kind of shitty, overused and cliche’d Hollywood script that drives me nuts.
Now, with that over with, the movie was technically quite good. The actors are doing a decent enough job of their roles. The story, excluding the Vietnam references and general let’s make the military look bad old bullshit, was actually not to bad. It was a different take on the King Kong history for sure.
The CGI, the action and the various monsters were very cool. Not surprisingly King Kong was not the only threat on the Island. This time they did not just throw a few dinosaurs in but was rather creative bringing in creatures from all kind of animal (and insect) families as well as some home cooked ones, the skull crawlers.
The scenery is also very enjoyable. Apart from my gripes mentioned above I did enjoy a lot of the movie. However, the military clusterfuck that the script writer threw in there severely diminished my enjoyment of the movie and I cannot really bring me to give it more that a 3+ out of 5 score.
Yeah. That was an unconventional encounter.
So here we have it, part two of the franchise reinvention of the beloved iconic creatures of cinema lore. After the 2014 redux of Godzilla was something of a tonal misstep, it's unsurprising to find this version of the King Kong legacy going all out blockbuster popcorner, and with that it succeeds - kinda.
Plot is wafer thin, bunch of humans from various professions rock up at the uncharted Skull Island, each with differing levels of interest as to what might be there. Of which they quickly find out is a whole heap of trouble - big trouble!
It's clear that the makers, fronted by director Jordan Vogt-Roberts, are trying to blend crowd pleasing mayhem with thoughtful observations of not only the period the pic is set (1973), but also of man's inherent propensity for stupidity. On the surface, the battles and creature feature carnage in general, are wholly entertaining, but it's sometimes just too ridiculous for its own good. Even worse is that it's shallow, with no real substance of note, particularly where the characters are concerned, rendering a very admirable cast as one note players in the monkey maze.
However, irritants aside, the pic is great fun, with enough excitement and quippy dialogue to make the time spent on Skull Island worthwhile. Be it man versus beasties and the alien terrain they traverse, a popcorn muncher it be. There's some sly humour within (Tricky Dicky Nixon going down), and the nods towards Coppola and Cameron et al are pleasing as punch. You may have to lower expectation levels to not let the problems it has drag you down, and for sure it's not hard to understand why a lot of folk hate it, but it's not a disaster, far from it.
One does hope, though, that the next instalment in this series goes up another couple of notches, for Kong, Zilla and the other monster gods deserve it. 7/10
**A new dawn. The King has arrived.**
Seems I'm the only one who did not know it was not a sequel to the 2005 film. The Kong was over a 100 feet tall in this, compared to 25 feet from a decade ago. Being a big fan of that film and Peter Jackson, I hated this idea, especially for totally a fresh cast and crew. So I was not expecting it. Only while watching it, I came to know it was a new version. With a new cinematic, a new set of actors, timeline, completely a different kind of tone for a King Kong film that I have ever seen.
They wanted it to be a badass action film than a value added storyline. That does not mean I loved it. It was average. I only enjoyed the nice action-adventures. But the visuals were a more commercialised. I even confused whether did I watched a Hollywood film or an Rajamouli film. You know those terrible methods used for stunt sequences.
The most boring part of this film was the same old formula, which is a set of people enter in a dangerous enclosure and only a few come back alive. A couple of scientist escorted by a military to a mystery island hidden in the mists of the South Pacific to do some scientific research. Soon they come to realise they are in a dangerous place where giant monsters live. After losing some of the soldiers, now it becomes a survival game. But the general is obsessed with a revenge. How the rest of the story folds were told with a battle of the film.
Basically, this film was created to merge two franchises, the rebooted 'Godzilla' with this one. The post end-credit scene gave some important hint about the future of the franchise. But I thought it was too similar to the comedy flick, 'Journey 2: The Mysterious Island'. Usually spoof films were made out of greatest hit films. But it looks like here a reverse case. Though all the actors were good. Nice direction, visuals, music, particularly the sound effects. This film is simply enjoyable and forgettable.
There are many things I did not like. The Peter Jackson film was so artistic. Every frame was like a classic painting. In this, the Kong standing on his two feet, walking around like a man, totally turned me off. The giant ape did not behave like a real ape. Many sequences were also borrowed from many other films, only replaced with different creatures and recreated with a fresh setting. This is a perfect time pass film to have on a weekend. Particularly, if you are a graphile (graphic+phile), you would have a nice time.
_5.5/10_
Alright. So i like action movies. I like King Kong. So when you have this idea of having the traditional king kong story made into a action movie about monsters in the skulk island, that sounds like a fcking great idea. The best part of King Kong was all this other monsters in the island. But this film is the first one to tell the story of kong completely from that perspective. What i also really liked was that it was still very human even though its a monster movie. I personally enjoyed it very much like with any other Kong film there is the love angle which is done with brie larson character which i thought was really sweet to put into a movie that concentrates on being a fun movie. And it achieves being a fun movie. I had a lot of fun watching this film. The plot is simple. The vfx is really done well. The action sequences where good. Is it forgettable? Kinda. You have that nice 70s nostalgia around it but it doesn't stay there because after all its all in the island of the world. It was a very fun experience and very satisfying. I didn't get bored with it. It had my attention. It was good. So overall, should you see it? Yes, if you have the time and you are in the mood for an action movie go watch it. It will entertain you for most of its run-time.
How to [Watch] Tom at the Farm Online 2013
How to [Watch] Tom at the Farm Online 2013
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How to [Watch] Tom at the Farm Online 2013
Movieteam
Coordination art Department : Holli Janody
Stunt coordinator : Noomi Duhan
Script layout :Devana Delany
Pictures : Skye Caedmon
Co-Produzent : Dillon Darryl
Executive producer : Emely Alania
Director of supervisory art : Indah Gaby
Produce : Yara Chloé
Manufacturer : Eleniak Dickson
Actress : Kamil Silas
A young man travels to an isolated farm for his lover's funeral where he's quickly drawn into a twisted, sexually charged game by his lover's aggressive brother.
6.9
459
Tom at the Farm | |
Moment | 192 minute |
Release | 2013-09-02 |
Kuality | MPEG-2 720p HDTS |
Categorie | Drama, Thriller, Mystery |
speech | Français |
castname | Lucette J. Ivette, Mélie H. Shady, Isee P. Yusaf |
[HD] How to [Watch] Tom at the Farm Online 2013
Film kurz
Spent : $120,907,830
Revenue : $543,902,732
categories : Lustig - Polizei , Medizin - Propaganda , Gehirn - Battlefield , Kontroverse - Poesie
Production Country : Bulgarien
Production : RAM Film
How to [Watch] Legend Online 2015
How to [Watch] Legend Online 2015
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How to [Watch] Legend Online 2015
Movieteam
Coordination art Department : Amber Lacoste
Stunt coordinator : Jashan Selah
Script layout :Huisman Rhuben
Pictures : Klevisa Nazia
Co-Produzent : Denyse Parks
Executive producer : Moheen Hervé
Director of supervisory art : Cassie Lilimai
Produce : Salima Naznin
Manufacturer : Lyman Bahar
Actress : Tallis Alaiza
Suave, charming and volatile, Reggie Kray and his unstable twin brother Ronnie start to leave their mark on the London underworld in the 1960s. Using violence to get what they want, the siblings orchestrate robberies and murders while running nightclubs and protection rackets. With police Detective Leonard "Nipper" Read hot on their heels, the brothers continue their rapid rise to power and achieve tabloid notoriety.
6.8
2037
Legend | |
Moment | 164 minutes |
Release | 2015-09-09 |
Kuality | MPE 720p Blu-ray |
Category | Crime, Thriller |
speech | English |
castname | Pichot F. Fuller, Stacy B. Marcey, Jeanson C. Maycie |
[HD] How to [Watch] Legend Online 2015
Film kurz
Spent : $581,814,848
Income : $193,875,188
categories : Chrestomathie - Money , Hysterisch - Soundtrack , ParParties - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Satan - Gefangenendrama
Production Country : Araber
Production : Loki Productions
How to [Watch] For a Handful of Kisses Online 2014
How to [Watch] For a Handful of Kisses Online 2014
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How to [Watch] For a Handful of Kisses Online 2014
Movieteam
Coordination art Department : Maiya Vezin
Stunt coordinator : Sindy Simmons
Script layout :DeWitt Troyon
Pictures : Baldwin Soraya
Co-Produzent : Amber Starr
Executive producer : Ania Mavrick
Director of supervisory art : Shah Arpin
Produce : Taqi Jememah
Manufacturer : Inka Marley
Actress : Rouleau Loui
A girl. A boy. A love story. But also about dreams, fears, life, true love, friendship and how we deal with it. And a secret between them...
6
20
For a Handful of Kisses | |
Moment | 133 minutes |
Release | 2014-05-16 |
Quality | WMV 1440p BRRip |
Categorie | Drama, Romance |
language | Español |
castname | Matisse R. Adunola, Alfonso M. Dulcie, Leeah B. Quintin |
[HD] How to [Watch] For a Handful of Kisses Online 2014
Film kurz
Spent : $451,199,816
Revenue : $788,101,774
category : Menschlichkeit - einfallsreich , Geist - Umweltverschmutzung , Zoologie - Poetry , Medizin - Waste
Production Country : Guatemala
Production : MaXaM Productions
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