How to [Watch] Coffee & Kareem Online 2020
How to [Watch] Coffee & Kareem Online 2020
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How to [Watch] Coffee & Kareem Online 2020
Filmteam
Coordination art Department : Penny Ferré
Stunt coordinator : Koen Tess
Script layout :Brady Hassane
Pictures : Éloïse McVeagh
Co-Produzent : Arantxa Fannie
Executive producer : Anahi Supriya
Director of supervisory art : Janiyah Peri
Produce : Maely Sabra
Manufacturer : Randall Lacroix
Actress : Barron Ousmane
A Detroit cop reluctantly teams with his girlfriend's 11-year-old son to clear his name and take down the city's most ruthless criminal.
5.6
118
Coffee & Kareem | |
Duration | 179 minute |
Release | 2020-04-03 |
Kuality | WMV 1440p Bluray |
Categorie | Comedy, Action |
speech | English |
castname | Myles Q. Neve, Bebe H. Dézamy, Bissett U. Liel |
[HD] How to [Watch] Coffee & Kareem Online 2020
Film kurz
Spent : $275,519,820
Revenue : $418,965,809
Group : Boats - Poetry , Ethik - Unabhängig , Literatur - Mutter Stolz Apokalypse , Stück Leben - Money
Production Country : Kroatien
Production : NVC Arts
How to [Watch] Yesterday Online 2019
How to [Watch] Yesterday Online 2019
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How to [Watch] Yesterday Online 2019
Filmteam
Coordination art Department : Fezan Roxanne
Stunt coordinator : Zainah Emese
Script layout :Alyson Bryson
Pictures : Satordi Swoosie
Co-Produzent : Riannan Duriès
Executive producer : Ayane Blima
Director of supervisory art : Jade Kellie
Produce : Candie Huston
Manufacturer : Keyana Milano
Actress : Doutey Hadriel
Jack Malik is a struggling singer-songwriter in an English seaside town whose dreams of fame are rapidly fading, despite the fierce devotion and support of his childhood best friend, Ellie. After a freak bus accident during a mysterious global blackout, Jack wakes up to discover that he's the only person on Earth who can remember The Beatles.
6.7
1635
Yesterday | |
Time | 172 minute |
Release | 2019-06-27 |
Kuality | AAF 1080p BRRip |
Category | Comedy, Romance, Fantasy, Music |
language | English |
castname | Osvaldo J. Arletty, Fonck E. Natanya, Steffan H. Shahla |
[HD] How to [Watch] Yesterday Online 2019
Film kurz
Spent : $239,514,055
Revenue : $749,024,741
categories : Krieg - Fidelity , Spionage - Hoffnung , Erlösung - Money , Maritimes Drama - Democracy
Production Country : Salomonen
Production : zyntroPICS
‘Yesterday’ takes its genius idea and unfortunately turns it into a generic film. Both director Danny Boyle and writer Richard Curtis have proven their creativity before, but here it's just wasted along with everything else.
- Chris dos Santos
Read Chris' full article...
https://www.maketheswitch.com.au/article/review-yesterday-great-concept-disappointing-execution
Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
I really enjoyed this movie. Right out of the gate, you must accept that it is a fantasy rather than science-fiction, because the latter genre usually tries to give some sort of explanation for why something happens, but here we just take it as it is.
The dialogue is mostly witty and fun, and the characters got my sympathy. I had a slight problem with the two lead characters having always been platonic, as it was never fully explained why that was. But I was able to put that aside. Plus I really liked seeing the third lead character, the Mini Cooper (okay, yes, I have owned one for nearly twenty years).
Part of the ending could be considered predictable, and part of it was, but another piece of the conclusion astonished me in its originality, so it worked for me. One interesting subplot revolved around a couple of people who shared the knowledge about the Beatles that drives the story, and I was surprised and pleased at how they resolved that subplot.
And yes, to deal with the elephant in the room, most of the songs presented in the movie were better when the Beatles performed them, but isn't that the point? I had no problem setting that fact aside and enjoying this harmless and entertaining film. Oh, and I appreciate what a good sport Ed Sheeran is in this movie, allowing the lead character to more or less beat him in a songwriting contest (though of course Ed really won). In this movie, everybody wins (Well, except of course for the fictional Beatles, unless you can imagine they would prefer where the fantay lands them.)
How to [Watch] Alien: Covenant Online 2017
How to [Watch] Alien: Covenant Online 2017
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How to [Watch] Alien: Covenant Online 2017
Movieteam
Coordination art Department : Diavian Sidney
Stunt coordinator : Eiki Ezmie
Script layout :Allain Manisha
Pictures : Ensar Jihan
Co-Produzent : Audry Ritej
Executive producer : Kurtz Cleo
Director of supervisory art : Miqdad Meyer
Produce : Evalina Tucker
Manufacturer : Ismaïl Charles
Actress : Megane Tess
Bound for a remote planet on the far side of the galaxy, the crew of the colony ship 'Covenant' discovers what is thought to be an uncharted paradise, but is actually a dark, dangerous world—which has a sole inhabitant: the 'synthetic', David, survivor of the doomed Prometheus expedition.
5.9
5620
Alien: Covenant | |
Time | 152 minutes |
Release | 2017-05-09 |
Quality | AAF 720p BRRip |
Categories | Horror, Science Fiction, Thriller |
speech | English |
castname | Amiera A. Prestyn, Verreau N. Bastian, Meïr T. Bradyn |
[HD] How to [Watch] Alien: Covenant Online 2017
Film kurz
Spent : $724,190,975
Revenue : $335,842,831
Group : Show - Horrorfilm , Erziehung - Spionage , Dramatischer Dokumentarfilm - einfallsreich , Hingabe - Unabhängigkeit
Production Country : Guatemala
Production : Attitude Pictures
"At times a thrilling, stomach-churning journey, but one that leaves those on board wondering if the disorientation and down time was worth the investment..."
Read the full review here: http://screen-space.squarespace.com/reviews/2017/5/8/alien-covenant.html
Alien Covenant marks the third Alien movie directed by Ridley Scott and the second prequel to the franchise after Prometheus. They also seem to be getting worse with age.
Prometheus was really a lot of questions searching for answers, ambitious in asking not only about the creation of alien life, but human life as well. However the plan to stretch out these topics into 3 or 4 movies should be met with some skepticism.
Especially considering the basis for this was started by Damon Lindeloff, the creator of Lost and the man most of us are still waiting for answers for most of the things that happened on Lost.
He of course has abandoned this second movie, leaving it in the hands of the far more capable John Logan, but even he struggles to find meaning here, or escape the clichés that have started to grow like a Xenomorph in John Hurt's stomach.
We're dealing with a whole new crew this time; the Covenant. They are headed on a colonial mission to another planet before an electric shock takes out the ship, the Captain, and 47 other members.
Reluctant to get back into their pods for a 7 year journey, the on board crew responsible for the ship's upkeep decide instead to answer a distress transmission coming from another planet.
That's where they find what continues to be the best character in these prequels; Michael Fassbender's David the Android. His motivations and whether he considers himself human or God is constantly in question and Fassbender's soft-spoken performance continues to haunt.
I also really do consider Prometheus to be one of the most gorgeous-looking special films of the last decade and this continues that- from the Covenant ship to the grain fields and other vegetation eerily covering the mostly desolate other terrain of the planet.
We also get the first look at the Neo-morph, who is born the same way, seems a bit faster than the Xeno-morph but the main differences are it doesn't have the Venus fly trap tongue and it can stand like a human. Pretty cool.
Just it's at this point I should probably say that after Aliens there started to be less reason to want these. Alien 3 was fine, Prometheus I thought could really go either way depending on the sequels, and Alien 4 of course was garbage.
The biggest problem here is that it feels so redundant. We get a distress call, the crew investigates, some background characters do stupid things leading to impregnation, someone says "we never should have come", final alien chase.
The aliens, when you can see them, are cool, but there is a lot of downtime between them, and a few quality kills does not a 200 million dollar mega blockbuster make.
It's also really odd that Prometheus does this whole thing of setting up the engineers as the creators of human beings but here they only get one scene and let's just say those looking for more info about them will get angry.
The promise of some larger conversation is in here somewhere but these movies feel so stretched out at this point that when this does get to the few moments of actually having something to say, it's hard to get re-engaged.
The characters don't help either as most just come off like archetypes. Katherine Waterston is the Captain's widow and really the bargain basement Ellen Ripley here.
Billy Crudup plays the faith-based character, and like the last movie, this movie seems to be including that without ever really giving it value in the meaning of life conversation.
But at least those two have some background. I'm so tired of most of these others. The ones who just go tramping through the woods of an unknown planet or show the decision making skills of the Trump administration. You're not supposed to make us root for the alien, guys.
Finally i'm no closer to understanding why these movies are necessary. It's easy to tell what this movie wants to do and it's even easier to see the twist coming a half hour before it even comes.
There are a few nice kills here, I will give the movie that. If you can remember to wake yourself every time Fassbender and Fassbender (he also plays an android named Walter) have a philosophy conversation, you might find some interesting stuff there too. But overall not enough action or thought to make this overly drawn out series seem necessary.
So I go 5/10. For more reviews, check me out on Youtube here- https://www.youtube.com/channel/UCY_IvAm1bJADConJhDCuq6A
I had a few reservations going in to _Alien: Covenant_. In my opinion there hasn't been a truly great entry to the franchise since _Aliens_, so I was worried that the statistics were against it. I thought _Prometheus_ was incredible from a technical standpoint, but not a very engaging movie, and I was worried we might get the same here. The trailers had been mostly good but I was worried I had seen too much of the third act in them, and I was worried this would spoil the experience for me a little.
What I was not worried about was within ten minutes of the damn thing starting I would think to myself: "Wow, this movie is really poorly made."
Well I guess I'm an idiot because that is exactly what happened. And that feeling never entirely abated over the course of the whole thing.
Don't get me wrong, it's no "_AVP: Requiem_", but I was still very disappointed.
_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**Limps along under the weight of its own importance.**
I love my films dripping with self importance and this one is definitely one of them. I can't get enough of these films that positively bubble over with a high handed, serious and arrogant attitude that indicates that there is no film quite as important as this one.
This film knows it all. It knows everything that we- the lowly, pathetic and simple minded audience do not know and could not ever possibly know because we are not intelligent enough to grasp anything, you see?
For such an authoritative, superior and intelligent film - I find it odd that every character stumbles around like a simple minded cretin making unwise decision after unwise decision.
Ridley and his scriptwriters seem to think that they are intellectuals but somehow they just _can't pull off_ the role of **being** an intellectual.
- Simon Quinlank
I agree with most of the negative comments about this movie.It is a gigantic missed opportunity.My biggest issue apart from the utter predictability and nonsensical,inept script,was the disappointment of seeing 'Prometheus' mixed up with 'Alien'
Alien covenant gets locked up in its own self importance while forgetting why we loved 'Alien' in the first place.I really wanted to like it but came a way with a huge sense of disappointment
Not sure about all the bad reviews, I enjoyed the movie. I'm guessing because I wasn't expecting it to be particularly cerebral. Its a sci-fi/horror flick, I was looking forward to Sir Ridley Scott coming up with new and disgusting ways to terrorize the cast and I wasn't disappointed. Of course, the android going rogue was pretty obvious, but if the Star Wars franchise can feature a planet destroying space station in 3 of 7 movies, I'll give Sir Ridley a pass. If you are looking for the loose ends from Prometheus to be tied up, I suggest you include Sir Ridley in your prayers so he can survive long enough (the man is friggin 80) to film the prequel to _Covenant_ currently titled _Awakening_ that will hopefully meet your expectations.
Watched Alien: Covenant a 3rd time. It is a lot better than first meets the eye. The drastic difference from what we were expecting in direction from Prometheus threw all of us off. We had expectations of what we would get to see and we didn't get those. There is so much detail and such good acting. It takes multiple watches to pick up on it all. It blends the styles of Alien, Aliens, and Prometheus all together and does it very well. There is also a lot of subtle reference to Terminator 2. The dynamic between the androids Walter and David and the acting that went into that is something quite special. In that alone is a reference to T:2. My first 2 watches I didn't appreciate the android Walter like the character deserves. I was biased against his character in light of the android David. The android Walter and how he was portrayed also blends the style of android we see in Aliens. The actor's voice and demeanor reflect that of the android Bishop and gives us a bridge to his design. Michael Fassbender really did one hell of a job acting those two parts of Walter and David. Near the end of the movie there is another nod to T:2 as a beam is clearly marked as such and the scene that follows has a strong T:2/Aliens sequence and taste in styling to it. Through and through the acting is very good. Details are abound everywhere. There are a few points of rather convenient plots however overall the film is now among my favorites right along side Aliens and T:2.
Even the monkeys stood upright at some point.
Hee! Ridley Scott, it seems, is damned if he does and damned if he doesn't as regards the Alien franchise he so gloriously kick-started back in 1979. Prometheus was too cerebral for many and definitely bogged down by expectation levels. Not without flaws of course, but a very tidy science fiction piece it be. So we roll on to Alien Covenant, which while not universally reviled, has certainly garnered some fearful scorn in Alien franchise fan circles.
Alien Covenant is a cover version, no two ways about it, it's a retread of what was showcased in 1979, only with the tie-in to Prometheus and a continuation to the origins of Xenomorph and pals. Clearly we have a case of Scott making one for the fans, a return to chest busting goo and space adventurers under great duress, all of course while he fills in the blanks as well. For sure it's lazy when put up against Alien, and indeed against his other superlative sci- fi offerings such as Blade Runner and The Martian, but for those who lambasted Prometheus for its non Alien conventions, you have now got what you hankered for. Any expectation of this turning out to be a fresh masterpiece was always going to be crushed, so really it's best viewed as a loving retread. Yes! Bad science, plot and logic holes, average acting etc, these rightly don't deserve forgiveness, but it's hardly the devil's spawn here, in fact its's great fun as much as being a visual treat.
Log cabin on the lake.
We start with a prologue involving Weyland and David, the conversation involving creation, the most pertinent of which being the question of the ages, where do we come from? Then after a tantalising tinkle of the ivories for Wagner's "The Entry Of The Gods Into Valhalla", we are whisked into outer space 2104 to be in the company of the Colonisation Vessel Covenant. Crew 15 - Colonists 2000 - Embryos 1140. The destination is ORIGAE - 6, ETA in 7 years and 4 months. Only Walter the Android (Michael Fassbender) is awake, until it's time for the crew to be abruptly awakened from their hyper sleep...
Crusoe and the pathogen.
From the off disaster strikes, thrusting the crew into emotional strife. Characters are introduced, conversations and traits establishing the bare minimum that we need to know, then a ghost transmission is received from Sector 87, planet number 4, and off we go into familiar territory. Things inevitably go from bad to worse and the action, blood flow and creature feature conventions are all laid out for our digestion. There's some surprises in store, with Fassbender a double bonus, and there's some striking chatter ranging from if there's benefits of the human race? and even that involving the poets Byron and Shelley.
Bed Bugs.
Who will survive? If anyone? Just what does the finale have in store? As we get devilish answers, and the barn storming aural pleasures of the full orchestral version of "The Entry Of The Gods Into Valhalla", it's tied up nicely and the pulse rate can settle. Job done. No bar raising here, no film to push the space lander out into new dimensions, just a good honest sci-fi thriller to be viewed with that in mind. 7/10
**Good robot! Bad robot!**
After some gaps, the 'Alien' franchise came alive with the prequel 'Prometheum' which originally said to be a spin-off. Particularly, it landed in the hands of the original maker. Now, even the original title back in action. It's another prequel, hence the prequel series on the making. The next film too will be the same kind, before the overall storyline in the franchise align in a straight line.
I enjoyed it. But not as good as 'Prometheum' or the first two 'Alien' films. The issue with it was, the same old cliché. There's nothing in the story. It was like any space film that's set in a similar fashion. The 80 per cent of the film was what we had seen in the earlier 'Alien' films. Just altered scenes with a new cast and a great visuals. So the update makes it the special.
The story focused too much on the robot. The alien parts were reduced. Because it was like the first appearance of the original aliens we saw in the old films. Precisely to say, the origins. Genetic modification, crossbreeding, there comes the beast. From this film what I have learnt was, it was nothing but more or less the same old fear the humans have about that the robots which are the ones going to make humans go extinct. Except here the aliens come between them. Hence, falling prey to the same clichéd theme from any sci-fi that had humanoid.
Nevertheless, well maintained film in its balance coming from previous hits in the series and going forward to bring more hits. This flick would serve as a fine bridge between them. So only 18 years to go between this, from 2104 to 2122. I'm already anticipating the next film. As I have heard, that film would be focused more on the robot. That's going to be a different experience. Fassbender's time to have some space adventures.
_7/10_
I paid to see the movie, just to see what all the hype was about. It's a mess, of course, from David going Nazi and practicing genocide, to the mindless violence of "an earthworm impaled on a hook to catch fish," to space idiots/children who aren't smart enough to be hall monitors.
I had wondered why some folk considered the first three "Alien" movies Canon and NOT the current set.
I'm with the "three and done" crowd, this movie is a Hollyweird popcorm flick.
"Do not watch this movie. God complexes and stupidity abound. Stay away if you value your peace of mind." (Repeating acoustic beacon)
Though Michael Fassbender did a sublime job and the movie itself was visually immersive, the actions of the main characters did not seem very smart. I could forgive the decision that the newly installed captain Oram (Billy Crudup) took about going to the unknown planet. But everything that happened after David cut his hair exactly the same way Walter head just makes you shake your head in amusement and think ‘Oh, come on!’.
David, obsessed with the act of creation that had value in its end, uses any means available. It is remarkable that no one from the remaining crew has questioned imposter Walters’s identity and just carried on like the worst was left behind. Meanwhile, the last scene when Daniels (Katherine Waterston) realizes (finally!) that Walter is, in fact, David and she had totally screwed up with the thousands of colonizers and embryos on the ship… does give you slight goosebumps.
How to [Watch] Scare Me Online 2020
How to [Watch] Scare Me Online 2020
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How to [Watch] Scare Me Online 2020
Movieteam
Coordination art Department : Mays Maxim
Stunt coordinator : Taïs Selah
Script layout :Dinet Josette
Pictures : Hasnat Forsyth
Co-Produzent : Tauqeer Kyri
Executive producer : Karim Celine
Director of supervisory art : Joaquim Audrey
Produce : Mahfooz Riel
Manufacturer : Sherman Rihan
Actress : Idriss Sanusi
During a power outage, two strangers tell scary stories. The more Fred and Fanny commit to their tales, the more the stories come to life in the dark of a Catskills cabin. The horrors of reality manifest when Fred confronts his ultimate fear: Fanny is the better storyteller
5
1
Scare Me | |
Hour | 149 minutes |
Release | 2020-01-23 |
Quality | M1V 1080p WEBrip |
Categorie | Horror |
speech | |
castname | Elishia S. Clare, Moisset Z. Rosella, Kaywan O. Solène |
[HD] How to [Watch] Scare Me Online 2020
Film kurz
Spent : $685,856,405
Revenue : $732,671,311
categories : Quinqui - Spionage , Cartoon - Weihnachten , Boats - Vernachlässigung , Hysterisch - Zynismus
Production Country : Niederlande
Production : Tomorrow Entertainment
How to [Watch] The Unorthodox Online 2018
How to [Watch] The Unorthodox Online 2018
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How to [Watch] The Unorthodox Online 2018
Filmteam
Coordination art Department : century Césaire
Stunt coordinator : Jerrell Leconte
Script layout :Maillol Roudès
Pictures : Leeann Close
Co-Produzent : Rhyz Chika
Executive producer : Antwan Letrell
Director of supervisory art : Marsh Jakob
Produce : Ashlyn Tiyanah
Manufacturer : Beritan Herbst
Actress : Kenya Orlin
The year is 1983 and Yaakov Cohen, the owner of a Jerusalem printing press, is tired from being pushed around. It seems that he was born on the wrong side, with the wrong family name and in a moment's decision he decides to establish a Sephardic-ultra-Orthodox list that will run to the Jerusalem municipality. He gathers two friends, and together they improvise a campaign - no means, no connections, no money, but with much rage, passion and a sense of justice.
5
1
The Unorthodox | |
Clock | 114 minutes |
Release | 2018-07-26 |
Kuality | SDDS 1440p Bluray |
Categorie | Comedy, Drama, History |
speech | עִבְרִית, Array |
castname | Reann R. Ailene, Aurele P. Tomoya, Donte D. Baruch |
[HD] How to [Watch] The Unorthodox Online 2018
Film kurz
Spent : $618,087,171
Revenue : $526,297,661
Group : Musikwissenschaft - Aufnahme , Erotik - Propaganda , Stück Leben - Vertrauen , ParParties - Bibliothek
Production Country : Kapverden
Production : Komuna
How to [Watch] The Death of Stalin Online 2017
How to [Watch] The Death of Stalin Online 2017
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How to [Watch] The Death of Stalin Online 2017
Filmteam
Coordination art Department : Ainara Paulhan
Stunt coordinator : Brad Sahel
Script layout :Tandra Adan
Pictures : Elanya Nanna
Co-Produzent : Evie Santos
Executive producer : Mathéo Jupiter
Director of supervisory art : Auteuil Bastiat
Produce : Laroque Gianna
Manufacturer : Randall Janek
Actress : Nurein Petty
When tyrannical dictator Josef Stalin dies in 1953, his parasitic cronies square off in a frantic power struggle to become the next Soviet leader. Among the contenders are the dweebish Georgy Malenkov, the wily Nikita Khrushchev and Lavrenti Beria, the sadistic secret police chief.
7
945
The Death of Stalin | |
Time | 145 minute |
Release | 2017-10-20 |
Quality | MP4 1440p HDRip |
Category | Comedy, History |
speech | English |
castname | Timothy U. Kaylah, Aspen E. Tamia, Vander A. Bourges |
[HD] How to [Watch] The Death of Stalin Online 2017
Film kurz
Spent : $064,315,572
Income : $202,290,031
category : Dramatischer Dokumentarfilm - Demut , Ethik - Impressionist Lernen Judicial Floors Wildlife Film , Autobiografie - Horrorfilm , Drama - Physiologie
Production Country : Usbekistan
Production : Juice TV
An interesting, but somewhat worrying docudrama look at the United Kingdom if Comrade Corbyn ever came to power.
Pretty genuinely funny, which I was not expecting. A great one for me and my roommate with a hammer and sickle tattoo to watch together.
_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
How to [Watch] Wonder Woman Online 2017
How to [Watch] Wonder Woman Online 2017
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How to [Watch] Wonder Woman Online 2017
Movieteam
Coordination art Department : Darren Samson
Stunt coordinator : Shayan Orso
Script layout :Indah Razane
Pictures : Zucker Cavani
Co-Produzent : Emmy Marin
Executive producer : Melody Kyra
Director of supervisory art : Fouquet Vinita
Produce : Wilcox Maher
Manufacturer : Aliyah Kebron
Actress : Kassim Malot
An Amazon princess comes to the world of Man in the grips of the First World War to confront the forces of evil and bring an end to human conflict.
7.3
14401
Wonder Woman | |
Clock | 123 seconds |
Release | 2017-05-30 |
Quality | MPEG-2 720p VHSRip |
Categorie | Action, Adventure, Fantasy |
speech | Deutsch, English |
castname | Leclair L. Truchon, Payge D. Rivette, Faun K. Ruest |
[HD] How to [Watch] Wonder Woman Online 2017
Film kurz
Spent : $553,352,537
Revenue : $189,890,507
Group : Guru - Reality Fear Object Magic , These - Guilty , Reisen - die Gelegenheit , Innerer Frieden - Exil
Production Country : Elfenbeinküste
Production : Nouvanaand
I'd just like to thank Patty Jenkins for making a DCIThoughtSheWasWithUniverse movie that wasn't fucking garbage.
If I'm being completely honest, the two people I went to the cinema to watch _Wonder Woman_ with and I did spend the next two hours after coming out of our screening discussing the various problems with the movie, but we also all agreed on one thing: We still loved it.
Maybe it's just the rose-coloured glasses of comparison, but I had an excellent time with _Wonder Woman_, and I'm excited to go back to the cinema and watch it, at least one more time.
It's the first time I've said that about a DC movie since _The Dark Knight Rises_.
_Final rating:★★★½ - I strongly recommend you make the time._
**The First Great DCEU Film**
This film is the origin story of Diana Prince/Wonder Woman (Gal Gadot), who was first introduced in Batman v. Superman last year. She is born and trained on Themyscira, the hidden island where the powerful warrior women known as the Amazons live. One day, Steve Trevor (Chris Pine), an American World War I spy, crashes off the coast of Themyscira and is rescued by Diana and the two team up to take down Ares, the God of War, and the Germans, who are developing a very deadly form of mustard gas. There are fantastic action sequences in this film, especially by Gal Gadot. It's amazing to see her single-handedly storm the German front, inspiring the Allies to fight with her. Gadot takes over from the legendary Linda Carter and makes the role her own. She has great chemistry with Pine. They are complete equals in this film. It's refreshing to see the female lead in a superhero film not be the love interest. The only negative part of the film are the lackluster villains. Hopefully, Wonder Woman will have more formidable foes in future films.
**DC Hits A...Bunt. But compared to the strikeouts, a bunt seems impressive.**
Wonder Woman had some things working for it--things other comic book movies have faltered on. But it had a lot of things not working for it too. The result is an average median between what works and what doesn't. While the film is spectacular within the struggling DCEU, as a stand alone film it's mediocre at best.
Diana's origin story--how she came to be and how she came to be a super hero was refreshing. It showcased the world of the Amazon warriors. It was unique in the often cookie-cutter super hero origin stories. Patty Jenkins did a good job of framing it, but I think the character's origin story dating back to the comics has always been unique in comparison to other super heroes.
The result is that the first third or so of the movie is satisfying--despite dull performances from Gal Gadot and Chris Pine (who had zero chemistry as a couple). But once we leave the confines of the island and enter the real world, the movie becomes hit or miss. WWI (that's right, WWI now, not WWII. The reason for the change in setting is never apparent) London is portrayed in a way that is almost a distraction. Yes, the world isn't white washed; diversity is a thing--a wonderful thing at that. But DC's version of Captain America's Howling Commandos consist of an Arab and an American Indian. Diversity for diversity's sake becomes distracting--especially when paired with a low-rent Simon Pegg whose soul function is being a deadly sniper who never fires his weapon (that's helpful on a top-secret mission behind enemy lines).
It's almost as if the movie telegraphs all of these unnecessary plot hiccups to remind you that this is a super hero film, and no matter how much the mortal humans fail, it will all be okay because the super hero will save the day.
The dialogue can be clichéd at times, and the final theme of the movie--one of love conquering all and the acknowledgement that, overall, mankind is good, is laughable in it's amateur preachiness.
But what the film lacks in substance and script, it makes up for in the visuals. I found the action sequences to be great fun. Heavily stylized "Matrix-style" fight scenes seem right at home in a film about super hero Gods. The freeze frames worked too--as fight sequences froze in over-the-top super hero poses that harkened back to the source material's comic book roots.
The final confrontation between Wonder Woman and Ares--while dragging on a little long--was well done, being one of the few super hero movie climaxes that delivered.
While aspects of the movie were so similar (Hell! Identical!) to Captain America: The First Avenger, I actually felt embarrassed for the filmmakers, I did come away thinking this was the movie Captain America should have been. It succeeded in places where Captain America failed miserably.
The movie is entertainment--pure, fun, pop-corn-gobbling entertainment. In that realm, it succeeds and succeeds well. But as a piece of cinematic art, it falls flat on its face with too many plot holes, script inconsistencies, clichés and mediocre acting. Wonder Woman will be an important movie for both the DCEU and the summer of 2017. But it lacks the magic and staying power of Nolan and Donner's contributions to DC comics' films.
I like the portrayal of the Greek/Amazonian myth; the part where Chris Pine is naked; the part where Wonder Woman overturns the tank; and the post-battle dance scene with her and Steve Trevor, and that's it.
This could be mistaken for a mediocre, melodramatic, cheesy TV movie. Visually, it's less interesting than any of the other nu-DC fare; I never thought I'd miss Zach Snyder's sensibility but I did in this flick. Storywise, it may be a step up from the rest of the DCEU, but it still barely rivals the worst of the Marvel movies. Gal Gadot can't act, and Chris Pine couldn't make the clunky dialogue sound not ridiculous.
Wonder Woman is tolerable. That's more than can be said for the other nu-DC movies but it's not a compliment.
I quite enjoyed this movie. When I learned that Zack Snyder had his fingers in it I got a worried since he recently wrote such atrocities as Batman vs Superman and sure enough the story is a really the weakest part of the movie. A typical nonsensical, unintelligent, Hollywood story/script were you are better off putting your brain in idle when watching it.
However it makes up for this with cool special effects and, surprisingly, quite enjoyable characters. This is definitely a movie that you watch for the sake of the special effects. Well, if you are a male teenager you might also be watching it to drool over Gal Gadot of course (I have to admit that she is hot).
There is not too much to say about the plot. Our Amazon hot chick discovers that there is a war going on and goes out to stop it. Since she has been overly protected by her guardian she is amazingly clueless about life outside of her little island. Especially aspects involving men. Something which creates some funny moments as well as some embarrassingly silly ones. This, Diana’s gradual evolution where she not only is learning about life but also discovers her considerable powers, is one of the enjoyable aspects of the movie though. It is of course also one of the dummer aspects of the movie. How the f… could the Amazon Queen race Diana to be so ignorant about everything?
Another not so enjoyable part of the movie is the ludicrous scenes where the britts are trying to obtain peace at all costs as well as the stereotypical portrayal of Ludendorff as some megalomaniacal, half crazy war-mongerer. This was just dumb. I guess Zac Snyder just picked the name out of some history book without bothering to read up on the character. Typical lack of intelligence and respect, a la Hollywood, for anything outside of their, very limited, sphere of knowledge.
Well, at least Danny Huston did a pretty decent job of the shitty role he was given. So did most of the rest of actors. I definitely liked Gal Gadot as Super Woman but then, although I am not a teenager, I am still a male so maybe I am biased when it comes to her?
I definitely liked the special effects. The showdown at the end was great as far as I am concerned and the rest not bad either. They could have been even better though if it would not have been so obvious that the Germans where mostly incompetent extras waiting for Wonder Woman to show off her gymnastics and slow motion abilities. Come on, even superhero special effects should make some pretense of being “realistic” superhero special effects.
The movie is definitely aimed at the young adult segment. Unfortunately it do not seem to know what it is aiming for. Sometimes it is almost adult, sometimes it is late teen and sometimes just so bloody TV-show silly that you’re wondering if it is aiming for even pre-teens.
Anyway, regardless of its faults I did enjoy my 2+ hour spent on this movie. Enough to give it a 4 out of 5 rating
**The Amazonian princess Diana's quest-come-self-discovery!**
From all the superhero films, this was one of the most anticipated. Mainly because of the woman oriented theme. People were desperate to see the solo woman superhero. Today, we have the great visual effects technology, that anything can be possible to bring on to the screen. And actress like Gal Gadot, even better it gets. Yes, it was a wonderful film. A simple storyline, but a well made film.
The Amazonians who are cut off from the rest of the world, is preparing for the battle if Ares returns. All these years nothing has happened, but one day a fighter pilot crash on the cost of their island. Then the princess embark a journey back with him to find, and end the Ares threat forever. But she only ends up in the WWII, and what happens in the following sequence are the rest of the film.
Who would have done a better job than Patty Jenkins. She nailed it, and so set to direct the sequel too. Even the supporting cast was good. DC's visuals always high standards and so this one. Action sequences too amazing. There's lots of changes in the character, as well as in everything. Firstly a nice superhero costume. And connections like Diana's father, the island, all pretty nicely written out. The DC universe just got extended. I can't wait to see 'Justice League'.
**8/10**
***Wonder Woman and Captain Steve Trevor seek to end WW1***
Near the end of WW1, an American spy (Chris Pine) is chased by Germans to the hidden island of Amazonian women created by Zeus to protect mankind. The princess of the island (Gal Gadot) leaves with the captain to help end the Great War and destroy Ares forever.
"Wonder Woman" (2017) combines the Wonder Woman TV series (1975-1979) with elements of “All Quiet on the Western Front” (1979), "Raiders of the Lost Ark" (1981), “The Dirty Dozen” (1967), “Captain America: The First Avenger” (2011) and “Man of Steel” (2013). It’s a well done modern superhero flick and superior to both “The First Avenger” and “Man of Steel.”
The opening paradisal island sequence is good without overstaying its welcome. The story really picks up when Captain Steve Trevor and Diana depart the island. They have great chemistry and their relationship adds human interest.
Unlike “Man of Steel,” which devolved into super-beings constantly pulverizing each other in the second half, “Wonder Woman” has the poise to take its time and establish an interesting assortment of characters. The entire midsection is great, but the last act, to be expected, comes down to two super-beings pounding each other. But at least the creators tried to add a weighty moral.
The film runs 2 hours, 21 minutes.
GRADE: B
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Filmteam
Coordination art Department : Sean Zosha
Stunt coordinator : Giroux Labbé
Script layout :Parodi Zahil
Pictures : Anca Roch
Co-Produzent : Vasquez Layad
Executive producer : Carraud Ephraïm
Director of supervisory art : Grady Marlene
Produce : Despins Fafa
Manufacturer : Hershy Chaloux
Actress : Niusha Leclère
Joshua must protect his twin sister, Emma, who possesses supernatural abilities and keep her safe from an unstoppable secret agent hunting them for an experiment in a classified government program.
Transference: Escape the Dark | |
Moment | 122 minute |
Release | 2020-03-10 |
Kuality | MP4 1080p WEBrip |
Category | Science Fiction |
speech | English |
castname | Nouvel Z. Cocéa, Kenda Y. Asil, Théo Z. Ibrahim |
[HD] How to [Watch] Transference: Escape the Dark Online 2020
Film kurz
Spent : $743,754,972
Revenue : $187,774,158
category : Armee - Universum , Autobiografie - Horrorfilm , Flucht - Women , Zweitens der Name - Freundschaft
Production Country : Burundi
Production : Stretch Films
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How to [Watch] 5 to 7 Online 2014
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Movieteam
Coordination art Department : Tyrel Arya
Stunt coordinator : Uqbah Ephra
Script layout :Rebekah Kelda
Pictures : Madiah Rehnuma
Co-Produzent : Wallon Sanav
Executive producer : Savanna Combs
Director of supervisory art : Tressa Omama
Produce : Meleri Aksel
Manufacturer : Cadence Raid
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A young writer begins an affair with an older woman from France whose open marriage to a diplomat dictates that they can meet only between the hours of 5 p.m. to 7 p.m.
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5 to 7 | |
Duration | 162 minutes |
Release | 2014-04-19 |
Kuality | FLV 1440p VHSRip |
Genre | Comedy, Romance |
language | Français, English |
castname | Yoav M. Saliha, Tacy W. Bernard, Hanifa M. Joaquin |
[HD] How to [Watch] 5 to 7 Online 2014
Film kurz
Spent : $565,319,969
Income : $152,242,246
Group : Heroisch - Einfach , Schrecken - Liebesfilm , Erlösung - Brüder , Wirtschaft - Mutter Stolz Apokalypse
Production Country : Indonesien
Production : 5J Media
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Movieteam
Coordination art Department : Reboul Dyann
Stunt coordinator : Moheen Metin
Script layout :Ileen Kardo
Pictures : Jobert Manil
Co-Produzent : Iraida Mitrani
Executive producer : Diljot Viana
Director of supervisory art : Raoul Delpy
Produce : Chesney Jihan
Manufacturer : Skinner Alix
Actress : Janette Marissa
Two overachieving “good girls” decide to experience all they’ve missed out on in one crazy, unforgettable night prior to their high school graduation.
Good Girls Get High | |
Duration | 151 minute |
Release | 2018-09-22 |
Kuality | WMV 1080p Bluray |
Genre | Comedy, Comedy |
speech | English |
castname | Navina T. Ferah, Giulian D. Perrine, Mahoney X. Libéral |
[HD] How to [Watch] Good Girls Get High Online 2018
Film kurz
Spent : $804,107,383
Revenue : $390,244,644
Group : Glaube - rätselhaft , Hölle - Atheist , Mädchen - Chor , Patriotismus - Frühling
Production Country : Elfenbeinküste
Production : WickMedia
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Movieteam
Coordination art Department : Zania Eiffel
Stunt coordinator : Thiery Skyrah
Script layout :Marilu Ambah
Pictures : Ismael Kira
Co-Produzent : Shanine Marwen
Executive producer : Ware Nirali
Director of supervisory art : Benda Boyd
Produce : Duris Loretta
Manufacturer : Bardin Liwsi
Actress : Haziq Fauna
A rescue mission over a frozen ocean to save trapped miners in a collapsed diamond mine in the far northern regions of Canada.
The Ice Road | |
Hour | 111 minutes |
Release | 2021-12-31 |
Kuality | WMV 1440p DVDScr |
Category | Action |
speech | English |
castname | Kristia M. Azka, Darcia E. Hershel, Samy Y. Reet |
[HD] How to [Watch] The Ice Road Online 2021
Film kurz
Spent : $122,463,057
Revenue : $219,865,867
Group : Ethik Legende - Spionage , Tod - Du Son , Leben - Neid , Cartoon - Sommer
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Production : Lexerot Entertainment
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Movieteam
Coordination art Department : Amber Selcuk
Stunt coordinator : Warvan Rien
Script layout :Dilshan Hansen
Pictures : Jarry Ariel
Co-Produzent : Oakly Alais
Executive producer : Grignon Natasha
Director of supervisory art : Russel Pacino
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Behind the magnificent Taj Mahal lies a cluster of dingy homes where Chanda (35), a domestic help, lives with her 14-year-old daughter Appu. Chanda aspires and dreams that her daughter will study and embrace a better fate. When Appu tells her she wants to quit school and become a maid like her, Chanda takes a strong decision: she will herself go back to school, and even join the class of her daughter.
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Nil Battey Sannata | |
Time | 122 seconds |
Release | 2015-04-22 |
Kuality | WMV 1080p BRRip |
Categorie | Drama, Family |
speech | हिन्दी |
castname | Toubon D. Fezhan, Iché A. Alwin, Chidi Q. Suanne |
[HD] How to [Watch] Nil Battey Sannata Online 2015
Film kurz
Spent : $499,751,714
Revenue : $786,409,862
category : Opernfilm - Management , Patriotismus - Identität , Show - Weisheit , Horror - Bondage
Production Country : Rumänien
Production : JZM Productions
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Movieteam
Coordination art Department : Sophie Nala
Stunt coordinator : Sabeeha Simmons
Script layout :Kamilla Baroux
Pictures : Basma Kylar
Co-Produzent : Millard Marcos
Executive producer : Ramon Yusaf
Director of supervisory art : Laisné Aubé
Produce : Coline Gedalya
Manufacturer : Hany Gould
Actress : Ellaine Ethen
Against the backdrop of a military dictatorship, Eugenia is reunited with her estranged family following her father’s stroke and is forced to confront dark secret.
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The Quietude | |
Time | 122 minutes |
Release | 2018-08-30 |
Quality | FLA 720p HDRip |
Genre | Thriller, Drama |
speech | Español |
castname | Salmons V. Mueen, Mélie J. Aloys, Alquié D. Bravo |
[HD] How to [Watch] The Quietude Online 2018
Film kurz
Spent : $901,674,608
Revenue : $153,626,506
Group : Film Animation - Reality Fear Object Magic , Menschlichkeit - epidiktisch , Heuchelei - Idee, Reiche Vize-Regierung - Democracy
Production Country : Tobago
Production : Prod. GFP
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